Can-Can

Feb 28, 2014 — The Great Beauty, which is up for best foreign-language film at Sunday’s Academy Awards, feels at times like a glorious throwback to a time when art-house cinema reigned. Feeling nostalgic for that era, when films by the great directors of world...

Feb 27, 2014 — Roman Polanski’s film is a highly sophisticated adaptation of Thomas Hardy’s classic novel, in both its faithfulness and its divergences.

Feb 25, 2014 — A testament to Steven Soderbergh’s versatility, this story of a boy growing up during the Great Depression is a tender but tough-minded look at a child’s inner world.

Feb 24, 2014 — A film of explosive passions, Abdellatif Kechiche’s coming-of-age triumph is about much more than just physical pleasure.

Feb 19, 2014 — Alfred Hitchcock’s second Hollywood film, Foreign Correspondent, is a killer caper—but due to what was going on in the world during its production, it’s much more than that. Following an American journalist investigating an escalating war in Europe, the film...

Feb 18, 2014 — The immediacy of an ongoing war electrifies Alfred Hitchcock’s suspenseful second Hollywood feature.

Feb 17, 2014 — Flailing fathers, anxious mothers, and their moody offspring—these characters may have tails, but they’re Wes Anderson people through and through.

Feb 6, 2014 — Who better to explain what an auteur of the cinema is than one of the originators of auteur theory? In his famous 1954 essay “A Certain Tendency in French Cinema,” published in Cahiers du cinéma five years before the release...

Feb 4, 2014 — When François Truffaut was a twenty-three-year-old film critic, in 1955, he read an autobiographical first novel by a seventy-four-year-old writer, Henri-Pierre Roché. “The book overwhelmed me,” he later recalled, “and I wrote: If I ever succeed in making films, I...

Jan 30, 2014 — Growing up with the epically zany, star-studded comedy.