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Pairing Ozus

The Daily

Dec 14, 2022 Anthology Film Archives presents a series of films that “are—explicitly or implicitly—reworkings of earlier films.”

Dec 12, 2022 Critics, the European Film Academy, and the International Documentary Association spent the weekend listing and awarding.

Buster by the Bay

The Daily

Nov 30, 2022 Three Keaton shorts will open A Day of Silents at the Castro before a series runs through December 21 in Berkeley.

Nov 10, 2022 Film Forum presents a survey featuring work by Edward Yang and Hou Hsiao-hsien as well as Second Wavers Ang Lee and Tsai Ming-liang.

Nov 8, 2022 In her first film that places a male character front and center, Jane Campion trains her unsparing gaze on the brutality of patriarchal power and the pain of repressed homoerotic desire.

Oct 25, 2022 One of the few American films of its era directed by a Black woman, Kasi Lemmons’s feature debut advances a critique of patriarchy and asks questions about gender and sexuality that still resonate today.

Oct 13, 2022 Denis’s second film of the year split the critics when it won a Grand Prix in Cannes—and it’s still splitting them now.

Oct 7, 2022 This underappreciated 1968 film is a feast of dark delights, filled with vengeful ghosts, psychically linked identical twins, obsessed mad scientists, creepy priests, and seemingly sentient skeletons.

Sep 29, 2022 An erotically charged “musical fantasia” opens the NYFF’s Currents program.

Sep 28, 2022 A high point of early Argentine cinema, Mario Soffici’s 1939 film about the plight of plantation workers is an unflinching examination of exploitation and violence.

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