Up

Jan 23, 2018 — “It’s not every day that you witness a new cinematic language being born, but watching RaMell Ross’s evocatively titled documentary Hale County This Morning, This Evening qualifies,” argues Bilge Ebiri in the Village Voice. “The director, a photographer and teacher...

Jan 23, 2018 — Last week we saw the first four titles lined up for this year’s Berlin Critics’ Week, the independent program that, like its counterparts in Cannes and Venice, runs parallel to its city’s big festival, the Berlinale. Below, an overview; you...

Jan 23, 2018 — With her award-winning short film playing on the Criterion Channel, Chilean newcomer Francisca Alegría chats with our programmer about the art and experiences that inspire her work.

Jan 22, 2018 — “In The Tale, an early critical favorite at this year’s Sundance Film Festival and a drama of uncommonly troubling power, Laura Dern plays Jennifer Fox, a documentary filmmaker trying to remember an experience that befell her at the age of...

Jan 22, 2018 — “The last time Debra Granik had a film at Sundance, it was the masterful Ozark coming-of-age thriller Winter’s Bone, which won Oscar nominations and introduced the world to a certain young actress named Jennifer Lawrence.” Bilge Ebiri in the Village...

Jan 22, 2018 — “It is a part he was born to play, and he does it with exactly the right kind of poignantly ruined magnificence,” begins the Guardian’s Peter Bradshaw. “Rupert Everett has written, directed and starred in this gripping drama about Oscar...

Jan 22, 2018 — Casting director Kahleen Crawford and screenwriter Paul Laverty, both regular collaborators of Ken Loach’s, outline the unique casting process they’ve developed in lockstep with the director.

Jan 21, 2018 — “Nadiv Lapid’s Hebrew-language The Kindergarten Teacher was one of the more unshakable films of 2015, with its wonderfully inscrutable nature,” begins Jordan Hoffman in the Guardian. “One of the most important things that writer-director Sara Colangelo has done in her...

Jan 21, 2018 — “After innumerable plays, books, films, made-for-TV series and specials, and even an opera and a musical, you would think popular culture would have exhausted all the options for telling the story of Lizzie Borden, the New England woman who was...

Jan 21, 2018 — “Filmed entirely within an emergency call center, Danish director Gustav Möller’s The Guilty (Den skyldige) is a claustrophobic thriller that finds fascinating ways to transcend, spiritually, its confines,” begins Bilge Ebiri in the Village Voice. “Pretty much the whole film...