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This Is It

May 5, 2021 Many lucky enough to have worked with her remember the star who broke through in Moonstruck.

Apr 15, 2021 Catherine Breillat and Todd Field are getting back behind the camera, while Scorsese and Spielberg forge ahead with their latest projects.

Mar 23, 2021 “Pleasure,” wrote Samuel Butler in The Way of All Flesh, “is a safer guide than either right or duty.” Surely this is true when it comes to watching films. While cinema can be edifying, most of us go to the...

Mar 9, 2021 Stanley Kubrick’s lost-and-found Lunatic at Large and Michelangelo Antonioni’s Technically Sweet are back in the works.

Jan 29, 2021 Dark Passages A nightclub floor show with dancers kicking and tapping under a scrim of cigarette smoke and the murmuration of an indifferent crowd. Couples listlessly swaying in a second-floor ballroom, the men clutching rolls of tickets and the ladies...

Nov 17, 2020 Along with Dead Man (1995), his previous narrative feature, Ghost Dog: The Way of the Samurai marks a quantum leap in the Jim Jarmusch universe—a discovery of history (both antiquity and tradition) that carries with it a sense of gravity and even tragedy...

Oct 30, 2020 In his tension-filled, black-comic Oscar winner, Bong Joon Ho masterfully mixes tones and subverts genres in order to shine a harsh light on the mechanisms that maintain class inequality.

Oct 15, 2020 Songbook According to Kraftwerk member Wolfgang Flür, it was toward the end of the group’s first U.S. tour when his bandmates Ralf Hütter and Florian Schneider grew fascinated by the phenomenon of American radio. Their time in the States had...

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Mar 12, 2020 Canceled festivals and closed movie theaters: The impact has been tough, and screenwriter Scott Z. Burns (Contagion) discusses what we should be doing next.

Feb 14, 2020 One Scene An irresolvable tension between the natural world and scripted narrative crops up throughout the work of German filmmaker Angela Schanelec, including in her latest feature, I Was at Home, But . . . Winner of the best director...

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