The Criterion Collection
The Daily
Sep 10, 2018 — Hopes were high in Venice this year, and for the most part, they seem to have been fulfilled.
Production Notes
Jun 26, 2017 — 1. Before ever setting foot in front of a camera, Ivor Novello found fame as a music composer in 1914 with his beloved wartime anthem “Keep the Home Fires Burning (’Till the Boys Come Home).” Over a million copies of...
Features
Nov 16, 2011 — The Rules of the Game is one of the best-loved films of all time. The following is a selection of tributes to it from writers and directors, originally included in the 2004 Criterion DVD edition. Paul Schrader, Writer-Director The...
Essays
Jan 18, 2022 — Garrett Bradley warped the clock. In her masterwork Time (2020), the present is the past is the future—which is to say, the lie of linearity gets emptied. Virginia Woolf comes up, when I think of artists who have comparably seized...
Features
Jan 10, 2020 — How many times, in cultural history, has surrealism been declared out for the count? For the German philosopher Walter Benjamin, writing in 1929, surveying the surrealist literature of André Breton, Robert Desnos, and Louis Aragon, the glory days of this...
Sep 18, 2019 — One Scene The way some rock fans talk about the sanctity of live music, you’d think it was a guaranteed path to transcendence. But of course most concerts fall far short of the sublime, and the thrill of breathing in...
Apr 9, 2018 — Ingrid Bergman’s work in her native Sweden was an early showcase for her dazzlingly precocious talent and emotional depth.
The Daily
Jan 24, 2018 — The forty-seventh edition of the International Film Festival Rotterdam opens today and runs through February 4. Over a month ago now, we started tracking the lineup, which the IFFR unveiled bit by bit every few days, culminating with the publication...
The Daily
Jan 2, 2018 — New York. “Starting in the mid-1960s, Michelangelo Antonioni became what the German essayist Hans Magnus Enzensberger would call a ‘tourist of the revolution,’” writes J. Hoberman in the New York Times. “Antonioni left Italy to make Blow-Up (1966) in swinging...
Apr 1, 2015 — Ingmar Bergman plumbs unfathomable depths in his cinematically sensual tale of four women facing the inevitable in mind and body.