The Criterion Collection
Jul 17, 2024 — Glauber Rocha’s ambitious breakthrough film manifested the project of Cinema Novo, a new wave that sought to overcome the influence of Brazil’s colonial origins and find images and sounds that could reconceive the nation.
Sep 28, 2022 — Uday Shankar’s fantastical dance epic embodies a progressive, postcolonial Indian aesthetic that is decades ahead of its time.
The Daily
Sep 13, 2021 — Audrey Diwan, Jane Campion, and Maggie Gyllenhaal take home top awards.
The Daily
Sep 29, 2018 — This “lean but evocative allegory” can be read in a surprising number of ways.
The Daily
Jan 18, 2018 — To Save and Project: The 15th MoMA International Festival of Film Preservation opens tonight with William K. Howard’s Transatlantic (1931; image above), “a pre-Code comedy firmly set during the golden age of ocean travel,” as Caroline Golum notes at Screen...
The Daily
Dec 30, 2017 — There’s been a furious flurry of list-making going on at IndieWire over the past couple of days. “IndieWire has reached out to a number of our favorite filmmakers to share with us their lists and thoughts on the best of...
Mar 29, 2017 — Film journalist Mark Harris stopped by Criterion to chat about the growing pains that five Hollywood filmmakers experienced during World War II.
Essays
Apr 27, 2016 — In Phoenix, Christian Petzold sets his nuanced melodrama of postwar German-Jewish identity within a starkly realist aesthetic, making newly fascinating use of his enduring interest in the tensions between the real and the artificial.
Dec 11, 2014 — The opening installment of Terry Gilliam’s “Trilogy of Imagination” reminds us we’d be better off if we paid more attention to the kid’s-eye view of things.
Oct 16, 2012 — After breaking out with Maria Full of Grace, filmmaker Joshua Marston visited a strange new land with persistent and deadly traditions.