The Interview

Jun 13, 2019 — Photo by Sara Driver Half a century ago, George A. Romero’s midnight-movie hit Night of the Living Dead invented the zombie genre as we know it and turned American independent filmmaking on its head. Made on an ultralow budget with...

May 16, 2019 — All week long, writers have been reminding us that there was more to Doris Day than sweet sunshine.

Apr 15, 2019 — She was known as “a professional innocent”—until Persona (1966) revealed a complex emotional intelligence.

Feb 11, 2019 — Renowned as an actors’ filmmaker, Ingmar Bergman directed some of cinema’s greatest performances, many of them by a highly talented troupe of frequent collaborators, including Max von Sydow, Liv Ullmann, Bibi Andersson, Harriet Andersson, and others. But even amid the...

Jul 16, 2018 — In this outtake from an interview with Shangkuan Ling-fung, the Taiwanese wuxia icon gets nostalgic about her encounters with Bruce Lee.

Apr 20, 2018 — “Although her oeuvre to date is wide-ranging,” writes Melissa Anderson at 4Columns, Claire Denis’s “most celebrated films are those that probe, usually elliptically, the legacy of French colonial rule in Africa, as seen in Chocolat (1988), her semiautobiographical debut feature;...

Apr 16, 2018 — From Éditions Matière comes Contrebandes Godard 1960-1968, a collection of promotional materials inspired by comics and the Situationists for the films Godard made during those years, unpublished since but now gathered and commented on by Pierre Pinchon, who teaches at...

Apr 6, 2018 — Angela Schanelec’s films “represent the most innovative use of ‘conventional’ editing in narrative cinema since Pialat who, along with Bresson, has been a clear influence,” writes Michael Sicinski for the Notebook. “Schanelec’s contribution is what we might call the ‘epistemological...

Mar 28, 2018 — Cinematographer Billy Williams talks about his experience creating the lush images and expressive lighting in Ken Russell’s boldly stylized adaptation of Women in Love.

Mar 28, 2018 — “Forty-seven years young,” writes the staff at Slant, “New Directors/New Films—programmed by the Film Society of Lincoln Center and the Museum of Modern Art—is an eclectic, geographically far-flung survey of bourgeoning filmmaking talent, and more than ever, this year’s lineup...