The Criterion Collection
Jan 11, 2017 — When the Academy Film Archive embarked on a new restoration of The Front Page, preservationists stumbled onto a mystery regarding the existing prints of the film.
Jun 29, 2015 — This work of hallucinatory lyricism was one of the final and freest expressions of the rule-flouting New Wave movement in Czechoslovakia.
Jan 22, 2013 — Andrei Tarkovsky’s austere, minimalist, and poetic film was the first major accomplishment in an oeuvre that would become one of Russia’s main contributions to the treasury of world cinema.
Essays
Mar 15, 2011 — In Edward Yang’s cinema in general, and in Yi Yi in particular, character and environment are inseparable.
Essays
Nov 23, 2008 — Wes Anderson made a film without a trace of cynicism, one that obviously grew out of his affection for his characters in particular and for people in general.
Jan 17, 2005 — Jacques Becker’s genius is to focus resolutely on what comes before or after or falls in between the decisive actions: it’s a crime film where we learn how gangsters brush their teeth.
Essays
May 20, 1991 — In 1941, director Frank Capra was at the peak of his profession with a string of critical and popular successes behind him—next would come his adaptation of a farcical and macabre stage play.
Jun 17, 2025 — Drawing from over a dozen hours of black-and-white footage, Direct Cinema pioneer Charlotte Zwerin created this elliptical and moving portrait of one of American music’s most original artists.
Features
Oct 7, 2020 — Martin Scorsese’s World Cinema Project No. 3 Spanning almost fifty years and four continents, Criterion’s recently released third collection of films restored by The Film Foundation’s World Cinema Project is a treasure trove of discoveries, each illuminated by a unique...