The Criterion Collection
The Daily
Oct 8, 2018 — Features by Tsai Ming-liang, Jodie Mack, and Gabriel Abrantes and Daniel Schmidt exhibit the range of the NYFF program.
The Daily
Jun 26, 2018 — Les Carabiniers (1963) is touring the States this summer, and a rarely seen 1986 made-for-TV film is set for its U.S. premiere.
May 1, 2018 — Working within the strict rules and tight budget of a commissioned television project, one of France’s finest contemporary directors made an artistic breakthrough that would go on to define his career.
Nov 15, 2017 — At the American Film Festival that wrapped a couple of weeks ago in Wroclaw, Poland, IndieWire’s Eric Kohn has had early looks at four works in progress: Writer-director-cinematographer John Maringouin’s Ghost Box Cowboy, “an often absurdist commentary about capitalism gone...
Features
Mar 6, 2017 — To commemorate the anniversary of the late Polish master’s birth this week, critic Michał Oleszczyk pays tribute to his mercurial style, urgent political themes, and sly evasion of the censors.
Essays
Oct 13, 2015 — Divorce wreaks a particularly devastating form of havoc in David Cronenberg's personal take on the dissolution of a marriage.
Features
Jun 4, 2015 — Rainer Werner Fassbinder stocked the cast of The Merchant of Four Seasons with friends and colleagues from his experimental theater days.
Features
Nov 16, 2011 — The Rules of the Game is one of the best-loved films of all time. The following is a selection of tributes to it from writers and directors, originally included in the 2004 Criterion DVD edition. Paul Schrader, Writer-Director The...
Nov 24, 2009 — For twenty years, the remains of television’s self-proclaimed golden age lay dormant in the vaults of the commercial networks. I remember traveling, as a young researcher for NBC, to Englewood Cliffs, New Jersey, where the old shows of the fifties...
Jan 22, 2007 — Forget the Beatles vs. Elvis: for me the world is divided into Karloff people and Lugosi people, and I’m in the Karloff clique. Bela Lugosi’s oversize mannerisms and thickly accented drawl have always seemed camp to me, while Boris Karloff’s...