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The Driver

Feb 2, 2011 These tributes first appeared in the winter 2010 issue of Brick, a literary journal based in Toronto. They are posted here by permission of the authors. The photographs appear courtesy of Colleen Murphy.   Colleen Murphy After we decided to...

Nov 18, 2025 Though the first two decades of the Iranian filmmaker’s career have long been underappreciated, this fertile period yielded philosophical and restlessly innovative works that reinvigorated both documentary and narrative-fiction cinema.

Jul 16, 2025 Opening in New York this week, the program is heading next to Austin, Seattle, Los Angeles, and Vancouver.

Apr 14, 2025 This month’s programming brings seaside thrills and white-knuckle tension, noir classics from a politically repressive era in American history, early gems from Kathryn Bigelow, and guest-curated picks from Spike Lee.

At the Wheel

Essays

May 30, 2023 Arriving at a fulcrum moment in women’s history in the United States, Thelma & Louise stoked controversy by delivering a boldly feminist worldview in a funny, warm, and sexy package.

Aug 27, 2019 In 1986, having made a number of child-centered films in his position as the head of the filmmaking division at Iran’s Center for the Intellectual Development of Children and Young Adults (an organization Iranians call Kanoon), Abbas Kiarostami accepted a...

Jun 14, 2022 Ekwa Msangi’s intimate feature debut pushes the conventions of the immigrant family drama.

NYFF 2017 Index

The Daily

Sep 28, 2017 “Every year around this time,” New York Film Festival director Kent Jones tells poet Peter Gizzi in BOMB, “I do a few interviews, and this question always comes up: what themes did you pursue? My answer is always the same:...

Apr 25, 2017 When it comes to capturing the sensory pleasures of food on film, it’s hard to beat Juzo Itami’s mouthwatering 1985 “ramen western” Tampopo. A mix of wicked humor and surreal eroticism, this culinary odyssey follows a widowed noodle-shop owner and...

Aug 12, 2015 Director Karel Reisz and writer Harold Pinter’s brilliant adaptation of John Fowles’s novel focuses on the experiences of women in two radically different eras.

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