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The Big Street

Dec 7, 2021 Regina King’s feature-film directorial debut envisions the true-life convergence of four prominent Black figures with empathy and moral urgency.

Jul 24, 2019 New films by Josh and Benny Safdie, Marielle Heller, Pablo Larraín, Kasi Lemmons, Rian Johnson, Robert Eggers, Steven Soderbergh, and Lou Ye are heading to the festival.

Apr 29, 2025 A black-and-white version of Julian Schnabel’s portrait of his fellow artist and friend Jean-Michel Basquiat accentuates the film’s melancholy mood while highlighting the deep commitment of Jeffrey Wright’s performance.

Underground on Top

The Daily

Jun 21, 2024 We open with an Italian neorealist classic, steer through ’70s-era paranoia, and wrap with a blast of gnarly rock ’n’ roll.

Feb 9, 2022 The Learning Tree may have been Gordon Parks’s first feature film as a director, but by the time filming began in the fall of 1968, Parks already had almost three decades of experience behind a camera. In 1940, the self-taught...

Feb 26, 2021 First Person When I was eight years old, I discovered what it meant to be of two minds. I didn’t discover this in any intellectual way; this was brought to bear on me in 1973 because that’s the year my...

Dec 14, 2018 “It’s sad to say, but women do not have much importance in westerns,” observed Anthony Mann, a master of the genre, in a 1957 Cahiers du cinéma interview. Made that same year, Samuel Fuller’s Forty Guns begins with a whopper...

Dec 15, 2017 The International Film Festival Rotterdam has been rolling out the lineup for its 2018 edition (January 24 through February 4) in quick spurts over the past few weeks, and it’s far from complete. But there’s already more than enough to...

Sep 15, 2017 “Harry Dean Stanton, the character actor with the world-weary face who carved out an exceptional career playing grizzled loners and colorful, offbeat characters in such films as Paris, Texas and Repo Man, has died.” The Hollywood Reporter’s Mike Barnes and...

Aug 19, 2017 “So about Logan Lucky: I knew in the first shot that I was going to love this movie,” Amy Taubin tells Steven Soderbergh during her interview with him for Film Comment. “I call it the three-shot rule,” says Soderbergh. “After...

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