Back To Search

Road to Roma

Jun 14, 2010 All writing is travel writing, the axiom goes. And for Jim Jarmusch, perhaps more than any other filmmaker working today, all movies are travel movies. It’s not a slight to call him the epitome of the filmmaker as tourist. In...

Oct 12, 2009 Man is Not a Bird: Flying Away The term “independent cinema” has lost its punch in recent years, from overuse and misapplication. One need only look to the films of Dušan Makavejev for a reminder of its true meaning. This...

Aug 11, 2008 Every Guy Maddin movie creates the illusion of a secret history. His willfully primitive cut-rate spectacles seem like artifacts, reanimated bits of cultural detritus, but also like hauntings, the return of the cinematic repressed. From the start, Maddin’s sensibility was...

Jan 5, 2006 Akira Kurosawa appreciated Shake­speare’s knack for linking the private and the political, threading a tale of corruption and revenge through a tangle of blood ties.

Jul 19, 2004 Marcel Carné's third feature is as epochal as any film made in France in the 1930s, exemplifying the style known as “poetic realism.”

Nov 15, 1999 Great comedy cannot be confined within normally accepted boundaries of taste and sensitivity. The essence of the Pythons was that they were always ready to take on formidable, daunting subjects that others might find too dangerous to contemplate. The idea...

Current Page
30
of 30

You have no items in your shopping cart