The Call of the Wild

On the Channel

Jan 1, 2017 The Korda brothers’ voluptuous fantasy Jungle Book—directed by Zoltán, produced by Alexander, and art-directed by Vincent—captures that mood-swinging moment in late childhood when the adult world seems to be unbearably corrupt and nothing could be more exhilarating than escaping to...

Dec 11, 2016 Earlier this week, we shared our interview with John Pierson, creator and host of the TV series Split Screen, which chronicled the emergence of a vibrant American independent film movement at the turn of the century. Almost two decades after...

Nov 28, 2016 PerformancesAny paean to noir seductress nonpareil Gloria Grahame—mine included—can’t hope to surpass this encomium from Boyd McDonald, one of her most ardent and articulate devotees. Saluting Grahame’s performance in In a Lonely Place (1950) in his essential 1985 compendium, Cruising...

Nov 22, 2016 The result of a notoriously troubled production, Marlon Brando’s unorthodox western presents a brooding vision of human futility.

NYFF Roundup and More

Short Takes

Sep 30, 2016 Did You See This? In anticipation of the fifty-fourth annual New York Film Festival, opening tonight, Indiewire has surveyed the must-see films playing in the revivals section, including Gillo Pontecorvo’s The Battle of Algiers, Tomás Gutiérrez Alea’s Memories of Underdevelopment,...

Sep 27, 2016 This monumental meditation on the Ten Commandments captures the spiritual undercurrents of life in late-Communist Poland.

Aug 23, 2016 Tony Richardson’s era-defining exploration of sexuality, race, and working-class life brought a uniquely female perspective to England’s Free Cinema movement.

Jul 22, 2016 Two pieces, written by director King Hu, that were originally published as part of a 1975 press kit for the Cannes Film Festival.

Jun 2, 2016 Kings of the Road is the most “roadish” of Wenders’s road movies, a film about travel as a form of escape for two German men and the transitory bond they form along the way.

Apr 26, 2016 “It is not an exaggeration to say that before Primary, documentary as we know it today—the art of candid observation—didn’t exist,” writes Thom Powers.

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