Only Good Things

May 31, 2022 — Wayne Wang’s breakthrough feature, a milestone in Asian American cinema, is a humorous and intimate snapshot of San Francisco’s Chinatown.

May 25, 2022 — Combining the expressive power of a great storyteller with the skill of a master craftsman, Sean Phillips is an artist we’ve come back to time and time again at Criterion. From Sweet Smell of Success to On the Waterfront to...

May 18, 2022 — Just slightly northwest of Death Valley, in what is now eastern California, a mountain range carves out the eastern edge of the Owens Valley. Sculpted by bedrock pushed between tectonic faults during the late Proterozoic to Cambrian periods, the Inyo...

May 9, 2022 — Waters has written his first novel, and a collection of Mueller’s writing has just been reissued.

Apr 26, 2022 — In the opening moments of Arie and Chuko Esiri’s Eyimofe (This Is My Desire) (2020), we first hear—the ceaseless hum of machines at work—and then see: a jumble of multicolored wires. The 16 mm film image is grainy, trembling ever...

Apr 21, 2022 — Critics recommend favorites from this year’s selection of twenty-six features and eleven shorts.

Apr 6, 2022 — A playfully philosophical drama, My American Uncle has been largely forgotten, yet it is the most down-to-earth of the French master’s exhilarating engagements with modernist aesthetics.

Mar 25, 2022 — With its rambling Victorian mansions and seedy charms, the once-exclusive area of downtown Los Angeles was film noir’s favorite neighborhood.

Feb 22, 2022 — Acting, that undefinable amalgam of technique, persona, and plain hard work, dominates this month’s roundup.

Feb 8, 2022 — A Prohibition-era gangster saga, the Coen brothers’ third feature is an enigmatic fable of violence, loyalty, and existential unease.