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Nov 17, 2020 Along with Dead Man (1995), his previous narrative feature, Ghost Dog: The Way of the Samurai marks a quantum leap in the Jim Jarmusch universe—a discovery of history (both antiquity and tradition) that carries with it a sense of gravity and even tragedy...

Jul 28, 2020 Having won the hearts of audiences and costars, one of the brightest lights of Hollywood’s golden age also scored a landmark victory in the courts.

Feb 3, 2020 Nearly half of the awards presented over the weekend went to female filmmakers.

Jul 16, 2009 The venerable critic Andrew Sarris, now eighty-one years old, gets his due in a lovely profile in the New York Times by Michael Powell (no, not that one). This die-hard auteurist, who has contributed writing and been featured in on-screen...

Lola Montès

Essays

Nov 10, 1986 Max Ophuls’s masterpiece is a transformation of a conventional subject into an avant-garde adventure, and a spectacular stylistic breakthrough in the utilization of wide screen and color.

Rockaway 2025

The Daily

Aug 19, 2025 The eighth edition brings the Quay Brothers, winners from Sundance and SXSW, and an Alain Tanner restoration.

Aug 12, 2024 Featuring a new restoration of The Spook Who Sat by the Door, the series includes films by Renoir, Tarkovsky, and Edward Yang.

October Books

The Daily

Oct 20, 2021 The range this month stretches from the silent era to this weekend’s launch of The Liberated Film Club.

Sep 16, 2019 Martin Eden tops the Platform competition, while audiences go for Jojo Rabbit.

Tours and Sighs

The Daily

Jun 7, 2019 This week we revisit the work of Pawel Pawlikowski, Carlos Reygadas, Robert Mitchum, Hal Hartley, and Elaine May.

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