The Criterion Collection
May 31, 2022 — Billy Wilder’s classic film noir is a powerful meditation on masculinity, desire, and the fantasies of white America.
May 18, 2022 — Just slightly northwest of Death Valley, in what is now eastern California, a mountain range carves out the eastern edge of the Owens Valley. Sculpted by bedrock pushed between tectonic faults during the late Proterozoic to Cambrian periods, the Inyo...
Apr 25, 2022 — During a precarious time for film exhibition, Inney Prakash, a programmer at the Maysles Documentary Center in Harlem, New York, had an idea to rethink the bounds of nonfiction cinema. He ended up conceiving Prismatic Ground, a festival that launched...
The Daily
Apr 22, 2022 — Cannes tops off its lineup, and we’re reading about Rivette, Resnais—and more.
The Daily
Apr 15, 2022 — This week we’re reading interviews with Mira Nair and Jane Schoenbrun, profiles of Viola Davis and Maggie Cheung, and an essay on Joan Micklin Silver.
The Daily
Mar 28, 2022 — Despite wins to celebrate, the Oscars got off on the wrong foot—and then took a turn for the worse.
Essays
Mar 8, 2022 — A parable of wayward women in a world without mothers, Márta Mészáros’s 1975 feature catapulted the Hungarian auteur to international prominence.
The Daily
Feb 22, 2022 — Acting, that undefinable amalgam of technique, persona, and plain hard work, dominates this month’s roundup.
Feb 22, 2022 — In centering the perspectives of refugees, Hong Kong filmmaker Ann Hui created a work of political solidarity that stands in contrast to the dehumanizing cinematic depictions of Vietnam from the period.
Feb 2, 2022 — Forever associated with Antonioni, the Italian actress cut loose in the 1970s.