The Criterion Collection
Essays
Jul 17, 2012 — Down by Law, released in 1986, was Jim Jarmusch’s third movie. Unlike its predecessors, Permanent Vacation (1980) and Stranger Than Paradise (1984), it did not take off from a semi-documentary view of downtown Manhattan. It was shot entirely on location...
With themes of love, suffering, betrayal, sacrifice, and redemption, melodrama puts its audiences through the emotional wringer.
Nov 3, 2009 — If ever there was a European art film that could be all things to all people, it’s Wim Wenders’s 1987 masterpiece.
Feb 24, 2026 — For this existential noir, Joel and Ethan Coen drew inspiration from crime-fiction master James M. Cain’s lean, hard-boiled style and interest in the quotidian world of work.
The Daily
Apr 14, 2025 — The director of Wake in Fright and The Apprenticeship of Duddy Kravitz was ninety-four.
The Daily
Jun 3, 2019 — Wisdom from the Pope of Trash, the making of Raging Bull and The Wild Bunch, and studies of Tarkovsky and the Berlin School all figure in this month’s round.
Sep 24, 2015 — Bruce Beresford critiques the British colonialist era in this precise, layered adaptation of a 1939 novel by Joyce Cary.
Essays
Aug 18, 2003 — The third installment in Ingmar Bergman’s trilogy about religious faith sees the auteur coming to terms with the pious rigidity and strangled emotional life of his own upbringing.
The Daily
Jul 2, 2025 — Pavements and Videoheaven take us back thirty-odd years, but neither film is merely a nostalgia trip.
The Daily
Nov 22, 2024 — Powell and Pressburger, Cassavetes and Rowlands, Robert Frank, Catherine Breillat, John Waters, Babette Mangolte, Sergei Loznitsa . . .