Lost and Found

Nov 16, 2018 — Critics Serge Daney and V. F. Perkins and filmmakers Dziga Vertov, William Friedkin, and Alfonso Cuarón are among the subjects of this week’s highlights.

Mar 15, 2018 — In what Tim Adams, profiling Tacita Dean for the Guardian, calls “an unprecedented collaboration” between “three of the nation’s most prestigious institutions,” two exhibitions are opening in London today—Portrait at the National Portrait Gallery and Still Life at the National...

Feb 5, 2018 — The World of Apu is a new multi-lingual, bimonthly online film magazine whose first issue appeared last November. The new second issue features Rafaella Britto on Satyajit Ray’s “most gloomy film,” The Goddess (1960), K Balamurugan on Shanjey Kumar Perumal’s...

Jul 20, 2017 — This year’s Il Cinema Ritrovato wrapped nearly three weeks ago now, and it’s the kind of festival that has attendees reflecting on each edition months and undoubtedly years down the line. Three especially notable pieces have appeared in just the...

Apr 21, 2017 — George Stevens’s Oscar-winning comedy captures the first sparks of attraction that ignited one of the great on- and offscreen romances in Hollywood history.

Aug 23, 2016 — Tony Richardson’s era-defining exploration of sexuality, race, and working-class life brought a uniquely female perspective to England’s Free Cinema movement.

Jan 22, 2013 — With his unique use of new 3D technology, Wim Wenders found an unprecedented way for the movie camera to capture bodies in space.

Aug 18, 2009 — Jacques Tati’s masterpiece converts work into play so pleasurably that it turns the very acts of seeing and hearing into a form of dancing.

Dec 29, 2008 — It is a good time to belong to the cult of Fuller. Those of us who consider ourselves members never forget our moment of induction. Some enlisted when his films first hit the screen—lucky enough to catch The Steel Helmet...

Nov 27, 2008 — A genuine cause célèbre, adapted from Romain Gary’s 1970 nonfiction novel, Samuel Fuller’s late work is an unusually blunt and suggestively metaphoric account of American racism.