The Criterion Collection
Jan 22, 2019 — Elaine May is a writer and filmmaker and actor and improviser, but beyond that, she is an artist whose career-long quest for truth has driven her to create work that has taken many forms but always sought to cast aside...
Essays
Jan 15, 2019 — In Notorious (1946), love assumes different shapes and presentations—as a wound, a weapon, a promise, a curse. For Ingrid Bergman as the lusciously complex and raw-nerved Alicia Huberman, it’s all these things. As the film begins, Alicia is on the...
Interviews
Jan 9, 2019 — There’s a certain tall-tale quality to Sandi Tan’s life. When the California-based filmmaker was growing up in Singapore in the 1980s and ’90s, movies were a powerful way of experiencing the world beyond her small native country, a place she...
Dec 28, 2018 — Ulysses S. Jenkins’s Two-Zone Transfer By this time in December, the usual onslaught of critics’ polls and nomination lists has given movie lovers a feeling of consensus about what was unmissable over the past twelve months. We were curious about...
The Daily
Dec 11, 2018 — As critics list their favorite television shows of 2018, we take a look at some of the most notable writing about a few of their picks.
Oct 9, 2018 — In a world vulnerable to authoritarianism, Rainer Werner Fassbinder’s television epic stands as an example of how an artist can speak to a broad audience about revolutionary politics.
The Daily
Oct 2, 2018 — The past weighs heavily on the present in Long Day’s Journey into Night, Ash Is Purest White, and A Family Tour.
The Daily
Sep 6, 2018 — New films by Jennifer Kent, Jacques Audiard, Paul Greengrass, and Pablo Trapero.
The Daily
Sep 4, 2018 — Natalie Portman sings, Willem Dafoe paints, and Frederick Wiseman heads to Trump country.
The Daily
Aug 13, 2018 — Looking back on the highlights of the seventy-first edition.