The Criterion Collection
May 14, 2018 — In the singular world of Finnish filmmaker Aki Kaurismäki, auteurist homage and social consciousness are joined by some of the most lovingly filmed dogs in contemporary cinema.
May 6, 2018 — Cannes 2018 One of the major highlights of the ongoing, year-long celebration of the 100th anniversary of the birth of Ingmar Bergman will be the presentation of a 4K restoration of The Seventh Seal (1957) as part of this year’s...
On the Channel
May 3, 2018 — Two of the earliest films to depict the bombing of Hiroshima show how politics shapes national mourning.
The Daily
Apr 22, 2018 — This year’s Art of the Real, the fifth, running from Thursday through May 6 and co-presented by MUBI and the Film Society of Lincoln Center in New York, “offers a survey of the most vital and innovative voices in nonfiction...
The Daily
Apr 20, 2018 — Let’s catch up with the new issue of cléo journal, this one dedicated entirely to the work of Agnès Varda. When the journal launched five years ago, it took its name from Varda’s 1962 classic, Cléo from 5 to 7....
The Daily
Apr 5, 2018 — Locarno in Los Angeles, the series curated by Acropolis Cinema founder Jordan Cronk and co-artistic director Robert Koehler that brings a batch of the best films screened last summer at the increasingly vital Swiss festival, opens today and runs through...
The Daily
Apr 3, 2018 — A little over a month ago now, we posted Marvel mon amour, a video by Daniel Raim in which Stan Lee looked back on working with his good friend Alain Resnais (above with Olga Georges-Picot in Cannes in 1968) on...
Essays
Mar 30, 2018 — This spectacular and technically ambitious Hollywood musical is a priceless window onto American pop culture’s view of itself in the 1930s.
Mar 8, 2018 — The first item to be mentioned is Martin Scorsese’s post on Instagram the other day: “That’s a wrap!” Principal photography on The Irishman, starring Robert De Niro, Al Pacino, Joe Pesci, Anna Paquin, Bobby Cannavale, Harvey Keitel, and Ray Romano,...
Feb 20, 2018 — In this wildly inventive revenge drama, director Kon Ichikawa blurs the line between stage and screen, infusing kabuki traditions with his own extravagant visual sensibility.