The Criterion Collection
May 2, 2017 — It was a cold January morning, with biting winds coming off the Seine, when I stopped by the Librairie du Cinéma du Panthéon during a break from working on our upcoming release of Marcel Pagnol’s Marseille Trilogy. This film-specialty bookstore...
Features
May 2, 2017 — On a trip to the Library of Congress’s Mostly Lost workshop—affectionately known as “film-geek heaven”—Imogen Sara Smith joined early-cinema aficionados in uncovering treasures from the vaults.
Apr 17, 2017 — A group of Cuba’s most seasoned musicians became an international sensation upon the release of this acclaimed documentary portrait.
Mar 14, 2017 — Religious fanaticism and anti-Communist hysteria give way to mass violence in this groundbreaking work of Mexican political cinema.
Essays
Mar 7, 2017 — With his unique blend of British realism and romantic fatalism, director Andrew Haigh exposes the quiet desperation at the heart of a long marriage.
Mar 1, 2017 — In his most seductive experiment with cinematic time, Richard Linklater wrestles with the joys and challenges of long-term intimacy.
Feb 17, 2017 — In 1970, legendary filmmaker Roger Corman founded New World Pictures, an independent studio that produced and distributed everything from B-movies and exploitation films to acclaimed foreign art-house fare by Federico Fellini, François Truffaut, and Ingmar Bergman. It became a breeding...
Essays
Jan 16, 2017 — Jack Garfein’s no-holds-barred account of sexual assault and trauma captures the volatile sensibility of the Actors Studio.
Features
Oct 31, 2016 — In her latest column, critic Imogen Sara Smith explores landmark moments in the intersection of noir and the western, including Marlon Brando’s One-Eyed Jacks.
Aug 30, 2016 — Set in nineteenth-century Macao, Orson Welles’s adaptation of a classic tale by Isak Dinesen is a hypnotic meditation on the pitfalls of storytelling.