Aug 20, 2021 The author of Velvet Was the Night pays tribute to the shockingly stripped-down, dread-inducing use of silence in Jean-Pierre Melville’s masterful neonoir.

Aug 12, 2021 Gleaning the best of Cannes, Berlin, and Sundance, NYFF programmers have selected thirty-two features from nearly as many countries.

Aug 10, 2021 Hirokazu Kore-eda’s international breakthrough is a bittersweet meditation on mortality, memory, and the movies.

Aug 2, 2021 Here’s what’s next for Werner Herzog, Wim Wenders, and Dominga Sotomayor, plus updates on forthcoming films from Jean-Luc Godard and Claire Denis.

Jul 23, 2021 Deep Dives In later years, Buster Keaton referred to his signing of a contract with MGM as “the worst mistake of my career.” In 1928 it was purely a business decision. The last few films he had made for his own...

Jul 23, 2021 This week’s highlights take us to Nigeria, Egypt, Sardinia, and Japan.

Jul 19, 2021 When Dennis Lehane joked in 2011 that the only real difference between Greek tragedy and noir was that in the former characters fall from great heights and in the latter they drop from the curb, he was pinpointing something simultaneously...

Jul 15, 2021 The annual showcase of emerging talent wraps its sixtieth edition with the presentation of six awards.

Jul 13, 2021 Critics assess new work from Mahamat-Saleh Haroun, Paul Verhoeven, Ryusuke Hamaguchi, François Ozon, Joachim Trier, and more.

Jul 9, 2021 This week: Bresson’s rhythms, Hawks’s bravura, Márta Mészáros’s choreography, and the everlasting No Wave of Beth B.

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