The Criterion Collection
The legendary French auteur talks about the intimacy of discovering yourself in cinema, shares her lifelong connection to Viridiana and Black Orpheus, and praises directors whose work continues to inspire and transport her, from Elia Kazan and David Lynch to...
The writer, director, actor, and producer shares what Marlon Riggs’s work means to her as a Black queer filmmaker, praises Rainer Werner Fassbinder’s radical approach to melodrama, and spotlights Chantal Akerman, Agnès Varda, and other directors whose work she can’t...
In her raw, evocative dramas, this acclaimed French director has examined the effects of colonialism in Africa and the human struggle for intimacy in a violent and alienating world.
The acclaimed actor shares how Nancy Savoca’s Dogfight profoundly affected her views of acting and love, praises the way David Gordon Green conjures the feeling of youth in George Washington, and selects endlessly entertaining favorites, from Valley of the Dolls...
The singer shares her love for The Bitter Tears of Petra von Kant and its decadent drama, praises Nicole Kidman’s hilariously psychotic performance in To Die For, and talks about the intimate dream state of Brand upon the Brain!
The actor and writer shares her love of the literary qualities of Eric Rohmer’s cinema, recalls the thrill of watching Bruno Dumont’s La vie de Jésus, and selects films by auteurs she has worked with, including Jean-Luc Godard and John...
The legendary actor reminiscences about her collaborations with Rainer Werner Fassbinder, recalls a memorable lunch she had with John Cassavetes, and talks about her connection to films by Ingmar Bergman and Mike Leigh.
The writer-director of So Much Tenderness and This Time Tomorrow shares her love for the magnetic monstrousness of Gene Tierney in Leave Her to Heaven, praises the visual grammar of Portrait of a Lady on Fire, and talks about “impossible...
The Oscar-nominated writer and director of Anatomy of a Fall praises the perfection of An Unmarried Woman, talks about the feminist qualities of La vérité, and selects Petite maman for her daughter.
The writer and director of The Two Faces of a Bamiléké Woman and Mambar Pierrette talks about being inspired by Ousmane Sembène and shares how Abbas Kiarostami’s films freed her to blur the boundaries between documentary and fiction.