Fire

Sep 29, 2020 — Martin Scorsese’s World Cinema Project No. 3 What can it mean for cinema to be revolutionary? Answering a version of this question in a 1977 interview, the Cuban filmmaker Humberto Solás stressed the importance of real-world context. In a capitalist...

Sep 24, 2020 — Taking all the necessary precautions, Paul Thomas Anderson, Jacques Audiard, and Paolo Sorrentino are back at work.

Sep 18, 2020 — The late scholar Robert Bird’s final essay on Tarkovsky and fresh writing on Béla Tarr, Eric Rohmer, and more are among this week’s highlights.

Sep 17, 2020 — Antonio Campos’s The Devil All the Time and Sean Durkin’s The Nest have A.V. Club writers revisiting the films they’ve made with Josh Mond.

Sep 11, 2020 — As Toronto opens, here’s an overview of early critical response to some of the festival’s titles arriving directly from their premieres in Venice.

Sep 10, 2020 — In this in-depth interview, the legendary photographer and filmmaker explains how a lifetime of compulsive movie-watching has influenced her artistic practice.

Sep 9, 2020 — The in-demand performer stars in two films in competition, Kornél Mundruczó’s Pieces of a Woman and Mona Fastvold’s The World to Come.

Aug 31, 2020 — “Movies show us ourselves as we had not yet learned to recognize us—something in the nature of daily being or happening that quickly gets folded over into ancient history like yesterday’s newspaper, but in so doing a new face has...

Aug 28, 2020 — “Anyone with that kind of brilliance, you just give them space . . . She was a kind of unique, extraordinary, eccentric wild animal. And some jewels came out of her mouth.” Richard Gere On Halloween 1978, a month after...

Aug 20, 2020 — The one-of-a-kind actress gave us unforgettable performances in Days of Heaven and Out of the Blue.