The Criterion Collection
Sep 13, 2018 — The imitation of nature becomes a devotional act in Terrence Malick’s cinema, which reaches sublime heights in this exploration of childhood, memory, and grief.
The Daily
Aug 30, 2018 — A solid first round of reviews for the Venice opener—and for Ryan Gosling’s performance as Neil Armstrong.
Aug 23, 2018 — The director of Computer Chess and Support the Girls finds in John Cassavetes a surrealist whose weirdest set pieces could make David Lynch blush.
The Daily
Aug 22, 2018 — Festivals from New York to London, from Busan to San Sebastián, are finalizing their lineups.
The Daily
Aug 9, 2018 — The Academy’s announced three changes it hopes will ward off encroaching irrelevance.
The Daily
Aug 8, 2018 — New films by Karyn Kusama, Alex Ross Perry, and Benjamín Naishtat will compete in the Platform program.
Jul 30, 2018 — At a time when women were rarely seen behind the camera, Babette Mangolte created a bold, distinctive aesthetic with a mix of slow rhythms and hauntingly static compositions.
On the Channel
Jul 7, 2018 — The movie theater Lee Harvey Oswald ducked into after shooting John F. Kennedy has undergone a reinvention, becoming one of the most exciting cultural hubs in Dallas.
The Daily
Jul 7, 2018 — The writer and director lived a full and robust life both before and after his monumental Shoah.
Essays
Jun 24, 2018 — During a period when studios gave him carte blanche, Josef von Sternberg created a sublime cinematic language that shrugged off one orthodoxy after another.