Dona

Apr 12, 2016 — Howard Hawks’s 1939 aviation classic Only Angels Have Wings is an exemplar of the auteurist Hollywood entertainer’s capability to fuse “a personal existential statement and a delightful piece of showmanship.”

Mar 17, 2016 — Repertory Picks This weekend, Row House Cinema will launch the first-ever Pittsburgh Japanese Film Festival, featuring four diverse films by some of Japan’s most beloved filmmakers—including Akira Kurosawa and Yasujiro Ozu. Among the films screening during the festival is Ozu’s...

Dec 10, 2015 — Repertory PicksOver the next two weeks, the Bryn Mawr Film Institute will present a series called Fatal Vision: The Cinema of Roman Polanski, Pt.1, highlighting Polanski’s early European art films and timed to complement a film studies course of the...

Dec 1, 2015 — Critic Todd McCarthy takes an inside look at Michael Ritchie's outdoor drama, which he calls “spare, cut to the bone, as fine as dry powder. Had Hemingway ever written about competitive skiing, this would have been the right style with...

Sep 28, 2015 — Rarely has schizophrenia been closer to the surface of American cinema than in the transitional period of 1968–71. Hollywood had just abandoned its censorship code after nearly thirty-five years, and the behemoth studios were heaving and rattling into oblivion or...

Sep 23, 2015 — Bruce Beresford draws on a controversial episode of Australian colonial history from 1901 to create an electrifying drama that questions the moral certitude of war.

Sep 8, 2015 — Brian De Palma magnifies the pleasures and perils of Hitchcock and toys with the viewer’s spectatorship in his sly and scary horror masterpiece.

Jun 7, 2015 — Critic Glenn Kenny reveals the connection between two classics: Nicolas Roeg’s film Don’t Look Now and Robert Wyatt’s album Rock Bottom.

Mar 25, 2015 — Errol Morris’s revolutionary film boldly investigated the truth of a murder case while reimagining documentary cinema aesthetics.

Mar 24, 2015 — Words—they conceal and reveal so much about us, as Errol Morris’s elusive and brilliant first films attest.