The Criterion Collection
The Daily
Nov 20, 2020 — Garrett Bradley, David Fincher, Hayao Miyazaki, George Clooney, Jim Jarmusch, and RZA bring us this week’s highlights.
Nov 19, 2020 — For most of my life, makeover sequences in film comedies held an irresistible allure. The mousy young woman who realizes her own inner and outer (but mostly outer) beauty after receiving the attentions of the right man (or the right...
The Daily
Nov 9, 2020 — Critics find the story behind the writing of Citizen Kane steeped in all the glory and sleaze of Old Hollywood.
Nov 5, 2020 — Performances Whenever I think of the iconic Bengali actor Supriya Choudhury, the first thing I recall is not her face—with its high cheekbones and large, kohl-rimmed eyes that often drew comparisons to Sophia Loren’s—but her voice, disembodied, tearing through the...
The Daily
Nov 2, 2020 — He became a star in the 1960s as 007 and carried on winning over fresh waves of fans through the 1990s.
Oct 28, 2020 — More than anything, Claudine felt like a reprieve; the film, directed by John Berry and released in 1974, gave audiences a compelling alternative depiction of Black life from those about Black drug lords and mafia dons fighting over real estate...
The Daily
Oct 28, 2020 — Artistic director Thierry Frémaux hosts a special three-day event in the Grand Théâtre Lumière and cautiously looks ahead to next year’s edition.
Features
Oct 26, 2020 — The very first romantic kiss between men on American television happens in Marlon Riggs’s groundbreaking film Tongues Untied. That kiss is between two Black men, and one of them is Riggs himself. As of this writing, if you look up...
The Daily
Oct 19, 2020 — The irrepressible spirit of Pasolini wafts in and out of this month’s round.
Essays
Oct 13, 2020 — I know I need somethingOr someone. From “Cotton Candy on a Rainy Day” (1978), by Nikki Giovanni While the screen is still dark, Gladys Knight’s voice drifts in, in a strong, sincere belt: “How can I / Work out this...