The Criterion Collection
Sep 18, 2012 — Marcel Carné’s theatrical spectacle set in early nineteenth-century Paris is an operatic work about passion and artifice.
May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...
The Daily
Aug 17, 2023 — As MINAMATA Mandala finally arrives in theaters, Anthology Film Archives presents a retrospective.
The Daily
Sep 9, 2019 — The jury presided over by Lucrecia Martel has surprised just about everyone.
The Daily
Apr 16, 2018 — Following lineup announcements from the Cannes Film Festival and Critics’ Week, the Quinzaine des Réalisateurs, or Directors’s Fortnight has presented the slate for its fiftieth edition, running from May 9 through 19. “As per the tradition of the parallel section,”...
Feb 13, 2018 — With the scrappiest of means, George A. Romero created not only a landmark of independent cinema but also an indelible portrait of America as hellscape.
Jan 9, 2017 — A feast of whip-smart banter, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.
Essays
Dec 14, 2016 — Pseudodocumentary collides with pure fantasy in Federico Fellini’s intricately layered portrait of his adopted home.
Feb 18, 2014 — The immediacy of an ongoing war electrifies Alfred Hitchcock’s suspenseful second Hollywood feature.
Sep 23, 2002 — In 1940 and 1941, David O. Selznick won back-to-back Academy Awards for Best Picture. In 1942, unsurprisingly, he was depressed. His wife, Irene, persuaded him to seek help, and, less than one year later, hale and hardy, he was eager...