The Criterion Collection
Aug 24, 2010 — Josef von Sternberg’s The Last Command (1928) was first and foremost a star vehicle for Emil Jannings, the internationally known, Swiss-born actor, who had left Germany in October 1926 to work for Paramount Pictures. During his two and a half...
Features
Nov 11, 2019 — Dark Passages I. Vacancy All the rooms are the same. There is always a skeletal bedstead with an uninviting mattress; a scuffed chest of drawers; a grimy little sink; a naked light bulb; bare walls on which the memory of...
The Daily
Oct 19, 2018 — Here’s a taste of what the critics have been saying about the nominees.
Essays
Apr 15, 2002 — Jean-Pierre Melville’s first-class crime picture may be the most elegantly rigorous movie ever made about a cockeyed heist.
Nov 13, 2025 — The director of Rat Trap and Monologue was an uncompromising artist who helped establish the Indian state of Kerala as a hub of bold political filmmaking.
The Daily
Jun 17, 2025 — Authors address overt and covert queer cinema, the avant-garde, and AI; plus notes on new collections and entire filmographies.
The Daily
Feb 25, 2025 — In the run-up to the Oscars, Sean Baker calls on independent filmmakers to band together as a community.
The Daily
Jul 24, 2024 — The retrospective lays the groundwork for the release of a new restoration of Army of Shadows.
The Daily
Mar 18, 2024 — It’s an eclectic bunch this month, featuring a new play, a ban on the color green, and Godzilla.
The Daily
Dec 1, 2023 — The best-of-2023 listing begins, plus: Abel Gance, Elisabeth Subrin, Pedro Costa, and Park Chan-wook.