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Oct 1, 2014 — In the hands of director Serge Bourguignon, a potentially sensationalistic story becomes a poetic and complex investigation of love and pain.

Aug 4, 2014 — Rebellious children of the sixties become conflicted consumers of the eighties in Lawrence Kasdan’s elegiac comedy-drama.

Jan 21, 2014 — Bigger is better in Stanley Kramer’s crazily crammed slapstick epic, a timeless showcase for comedy genius.

Dec 5, 2013 — Repertory PicksThe series Chris Marker: Guillaume-en-Égypte, currently running at the Harvard Film Archive in Cambridge, is a wide-ranging survey of the career of the brilliant cine-essayist and multimedia artist, who died last year at age ninety-one. Among the most politically...

Aug 30, 2012 — In the 1960s, Mailer, already a literary legend, was inspired by the avant-garde film movement to take a stab at his own, anti-Warholian underground cinema.

Apr 6, 2012 — Images by the avant-garde icon can be seen at Anthology Film Archives this weekend.

Dec 13, 2011 — Just what is it that makes Seijun Suzuki’s Tokyo Drifter (1966) so different, so appealing? The cherubic hero in the neat powder blue suit, who looks like he was torn out of a yakuza pop-up book? That hauntingly cornball theme...

Nov 29, 2011 — 1. Krzysztof Kieślowski directed all three films in the trilogy, Blue, White, and Red, in less than ten months (from September 1992 to May 1993). 2. The ending of Red was the first scene shot in the entire trilogy. Cinematographer Piotr Sobocinski decided that the image...

Dec 7, 2010 — In 1981, it seemed to me that a new era of fantastic cinema was upon us.

Mar 17, 2010 — 1. A Park—Night A man aflame is running directly toward camera. This image, which comes from Nicholas Ray’s initial treatment for Rebel Without a Cause, might stand at the head of almost any of Ray’s movies, since it so clearly...