The actor and comedian explains why His Girl Friday is “extremely Hacks-coded,” connects with David Lynch’s love of Los Angeles, and selects favorites like Thelma & Louise and Paper Moon.

The actor praises the honest and vulnerable performances in John Schlesinger’s films, shares how Klute awakened her love for film noir, and talks about why she keeps returning to The Mother and the Whore.

The writer and director returns to the Criterion Closet, where he talks about the infectious energy of Night and the City, shares why Beau travail and Cold Water were transformative works for independent filmmakers in the 1990s, and praises the...

The writer, prducer, and performer talks about his revelatory experiences watching Happiness and Trainspotting for the first time, shares why he finds The Last Waltz to be such an emotional and unique documentary, and praises performances by Robert De Niro...

The actor praises the unique sensibility that Martin Scorsese brought to The Last Temptation of Christ, shares his love for the visual poetry of his friend and collaborator Guillermo del Toro, and talks about why Throne of Blood is his...

The actor, comedian, and screenwriter shares why he thinks Secrets & Lies is Mike Leigh’s “juiciest” work, praises the powerful simplicity of The Celebration, and selects contemporary films that have inspired him, like Anatomy of a Fall and The Worst...

The singer-songwriter reminisces about the pleasure of discovering Czechoslovak New Wave films on trips to the video store, shares why Moonstruck ignited her Nicolas Cage fandom, and praises the use of classical music in The Piano Teacher.

The actor and director praises Iranian cinema legends Abbas Kiarostami and Jafar Panahi, shares why he considers Luis Buñuel to be “the grand master of cinema,” and reminisces about spending his childhood at the movie theater.

The writer and director selects a pair of feminist films by Dorothy Arzner, shares why Chantal Akerman and David Lynch are her filmmaking idols, and praises how Eric Rohmer’s Six Moral Tales portray complex dynamics between women and men.

The composer reflects on his profound experience working on Barry Jenkins’s The Underground Railroad, praises favorite scores by Bernard Herrmann and Zbigniew Preisner, and shares why La Jetée inspires him to think about cinema’s infinite possibilities.

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