The Criterion Collection
Features
Jan 17, 2020 — Of all the weird scenes that populate seventies science-fiction cinema, the most bizarre might be in 1971’s The Omega Man. Based on Richard Matheson’s I Am Legend, the film imagines a world in which fallout from a distant war has...
The Daily
Oct 7, 2019 — Critics respond to the New York Film Festival’s selection of new moving image art.
Criterion Designs
Jun 4, 2018 — Studio Visits New York–based painter and illustrator Riccardo Vecchio has made a name for himself with his evocative portraits and cityscapes. But for the last few years, he has returned to his Italian roots, devoting himself to depicting the Alpine mountains...
Mar 20, 2018 — The careers of three iconic German artists—Bertolt Brecht, Rainer Werner Fassbinder, and Volker Schlöndorff—converged in this unflinching portrait of destructive genius.
The Daily
Feb 9, 2018 — Life Is a Dream: The Films of Raúl Ruiz, opening today at the Film Society of Lincoln Center in New York and running through February 18, is the second half of an extensive retrospective organized by Dennis Lim and Dan...
Apr 12, 2016 — Howard Hawks’s 1939 aviation classic Only Angels Have Wings is an exemplar of the auteurist Hollywood entertainer’s capability to fuse “a personal existential statement and a delightful piece of showmanship.”
Aug 3, 2015 — On film noir’s unparalleled roster of resonant titles—Kiss of Death, Out of the Past, and Where Danger Lives, to name three—none is more emblematic or iconographically cogent than Night and the City. Juxtaposing two of noir’s essential, virtually ontological qualities,...
Jun 29, 2015 — This work of hallucinatory lyricism was one of the final and freest expressions of the rule-flouting New Wave movement in Czechoslovakia.
May 22, 2015 — A music star burns brightly and flames out beautifully in Mark Rydell’s visceral rock-and-roll film, starring a sensational Bette Midler.
Apr 20, 2015 — "Afilm about India without elephants and tiger hunts”—this was how Jean Renoir described his objective in making The River. Guided by Rumer Godden’s autobiographical novel, he rejected the India of exotic action and spectacle to make a meditative, almost mystical...