The Criterion Collection
Sep 22, 2020 — Francesco Rosi’s film Christ Stopped at Eboli (1979) is based on Carlo Levi’s novelistic memoir of the same name, which became an instant classic of Italian literature when it appeared at the end of World War II, in 1945. In...
Sep 21, 2020 — After opening TIFF, this dynamic yet unobtrusive documentation of the hit Broadway show now heads to the NYFF.
Jul 14, 2020 — Bruce Lee seemed born to be on-screen. At three months old, he appeared as an infant in a Hong Kong movie called Golden Gate Girl (1941). After he died suddenly of cerebral edema in 1973 at the age of thirty-two,...
The Daily
Apr 15, 2020 — While three parallel programs have cancelled, Cannes still holds out hope for a 2020 edition. Here’s the latest on how the virus is affecting cinema.
The Daily
Mar 20, 2020 — Also this week: Filmmaker and filmmakers make their work freely accessible, an appreciation of Barbara Hammer, and an interview with Jonathan Rosenbaum.
Essays
Feb 18, 2020 — In what was no doubt an appeal to subtitle-averse audiences, advertisements for the U.S. release of Teorema (1968) trumpeted, “There are only 923 words spoken in Teorema—but it says everything!” A meager few of those utterances are expended in an...
Jan 29, 2020 — It is almost impossible to discuss Sidney Lumet’s Cold War thriller Fail Safe without also considering its more financially successful cinematic foil and fellow 1964 Columbia Pictures release, Stanley Kubrick’s Cold War satire Dr. Strangelove, or: How I Learned to...
On the Channel
Jan 23, 2020 — One of the most audacious voices to emerge in American independent cinema in the last decade, photographer turned filmmaker Khalik Allah trains his lens on communities of color rarely captured on the big screen. Whether celebrating the complexities of Jamaican...
The Daily
Oct 9, 2019 — This year’s program has taken NYFF attendees to Soviet Russia, Lebanon, Chile, back home to the Big Apple, and behind bars.
Sep 30, 2019 — At first glance, Jean-Pierre Melville’s body of work might seem to display a schizophrenic split between two currents or tendencies. The first is in total symbiosis with the history of France and is rooted in the filmmaker’s own life, notably...