Twin Peaks: The Return

Mar 7, 2025 — We’re spotlighting fine writing on Ben Rivers, Errol Morris, David Lynch, Želimir Žilnik, and Laura Carreira.

Jan 24, 2025 — We’re sampling new issues of Notebook, Senses of Cinema, and 032c and reading about Eisenstein and Charlotte Zwerin.

Jan 21, 2025 — Lynchian may be impossible to define, but you know it when you see it.

Apr 22, 2022 — Cannes tops off its lineup, and we’re reading about Rivette, Resnais—and more.

Oct 15, 2019 — After breaking through in Medium Cool, Forster floundered until Quentin Tarantino plucked him from undeserved obscurity nearly thirty years later.

Mar 22, 2018 — David Lynch and Mark Frost’s Twin Peaks: The Return comes in at #1 on the Cinema Scope Top Ten of 2017 and, as editor Mark Peranson points out, all the other titles on the list have been covered in past...

Feb 12, 2018 — In “Twin Peaks: The Return, or What Isn’t Cinema?,” a four-part essay at Reverse Shot, Nick Pinkerton first stakes out a position. Referring to one of Marcel Duchamp’s most famous pieces, he writes: “For a hundred years now it’s been...

Jan 12, 2018 — Mark Freeman introduces this year’s Senses of Cinema World Poll, collecting over 120 lists “from Cannes to Wellington and New York to Paraguay,” adding that “this truly represents the incredible global reach and intense local engagement with the cinema. If...

Jan 6, 2018 — New York. The Metrograph is currently presenting seven films by Max Ophuls and, in the Village Voice, Bilge Ebiri argues that it’s “essential” to see his work on the big screen. “His characters were often women—women scorned, women in love,...

Dec 31, 2017 — 2016 set in motion a series of collapses on so many fronts it seemed like some terrible dream. But in 2017, it began to sink in that, no, this is our new reality. Perhaps in 2018 we’ll decide that it...