The Criterion Collection
Essays
Aug 14, 2012 — The camera never stops moving in the Dardenne brothers’ portrait of a troubled teenage girl desperate for a job.
Features
Jun 14, 2021 — Postwar Hollywood’s quintessential heavy wields his signature mix of brutality and neurosis to embody an abusive husband in Max Ophuls’s psychological drama.
May 26, 2020 — Richard Ford’s 1990 novel Wildlife begins with this arresting sentence: “In the fall of 1960, when I was sixteen and my father was for a time not working, my mother met a man named Warren Miller and fell in love...
Oct 22, 2019 — Muhammad Ali was thirty-two years old when he arrived in Kinshasa, Zaire, in 1974 to fight for the heavyweight championship of the world. Thirty-two is not prohibitively old for a boxer in the heavyweight division. (As I type, the most...
Feb 23, 2016 — Without any overt topical references, Mike Nichols’s The Graduate captured the zeitgeist of the 1960s and the dawning countercultural revolution.
Aug 17, 2015 — François Truffaut’s love letter to the movies is a lightheartedly self-reflexive symphony of camera movement and musical flourish.
Apr 29, 2015 — Peter Yates's crime drama is a haunting, singular experience, brutal and minutely observed, with a remarkably authentic sense of place.
Jul 25, 2014 — Erik Skjoldbjærg’s sun-drenched noir follows a detective trying to conceal his amoral actions amid unforgiving daylight.
May 20, 2017 — “Robin Campillo’s 120 Battements Par Minute [BPM (Beats Per Minute)] is a passionately acted ensemble movie about ACT UP in France in the late 80s, the confrontational direct-action movement which demanded immediate, large-scale research into AIDS,” begins the Guardian’s Peter...
Features
Jul 22, 2016 — Two pieces, written by director King Hu, that were originally published as part of a 1975 press kit for the Cannes Film Festival.