The Criterion Collection
Features
Jun 30, 2021 — First Person The first thing I’d like to note is that long before I was briefly an usher in a movie theater, my father was briefly an usher in a movie theater. That might not be so much in my...
Nov 21, 2017 — Terry Gilliam plunges into the filth and absurdity of medieval England with this grim fairy-tale comedy.
Jun 25, 2007 — Chris Marker’s masterpiece is a cinematic essay and travel film made up of asides and digressions that form a portrait of late twentieth-century civilization.
Interviews
Sep 16, 2022 — The trailblazing and idiosyncratic filmmaker discusses her two newly restored shorts, her childhood in Detroit, and her decision to leave the movie industry behind.
Features
Dec 12, 2023 — Deep Dives Beloved for his poetic observations of domestic life and intergenerational conflict, Yasujiro Ozu is an icon of international art-house cinema whose patient, exquisitely restrained style has influenced filmmakers around the world. But even though he directed more than...
Jan 10, 2023 — In its ambivalence toward its provocative themes, John M. Stahl’s groundbreaking exploration of racial identity demonstrates the insolubility of Hollywood’s representational conundrum.
Jun 28, 2022 — Boasting a larger-than-life Divine, John Waters’ underground classic finds the sublime in the ridiculous.
Aug 26, 2014 — Define the Japanese New Wave however you like—there are innumerable possible launching points, and the name players in the fifties and sixties were old and young and in between—but from any juncture, Shohei Imamura was a primary figure and, at...
Jun 24, 2014 — In 1964, Richard Lester harnessed the Beatles’ exploding superstardom for a giddy day-in-the-life pop masterpiece.
Feb 23, 2010 — Like many other French cinephiles, I discovered Make Way for Tomorrow relatively late, although we had been interested in Leo McCarey for years. We had hunted down his Laurel and Hardy pictures, adored Duck Soup, the best of the Marx...