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Jan 23, 2018 With her award-winning short film playing on the Criterion Channel, Chilean newcomer Francisca Alegría chats with our programmer about the art and experiences that inspire her work.

Sep 3, 2019 Early verdicts diverge as widely as opinions on how to respond to the very idea of a new film by Roman Polanski.

Oct 11, 2016 Before the New York Film Festival premiere of Hermia and Helena, his 2016 riff on A Midsummer Night’s Dream, the Argentine director stopped by to discuss the Bard and the movies that shaped him as a filmmaker.

Mar 18, 2009 Writer, critic, and film lecturer Teruyo Nogami also served as one of Akira Kurosawa’s principal assistants. Hired as script supervisor on 1950’s Rashomon, Nogami went on to work on all of Kurosawa’s subsequent films, later chronicling their unique relationship in...

Jul 11, 2023 Martin Scorsese drew on the influence of Hitchcock and Kafka for this anxiety-ridden tale of one bizarre night in New York City—a movie that energized him during a tumultuous period in his career.

Apr 19, 2021 What lies beyond the grave? Human cultures across space and time have imagined many kinds of afterlives, from the attenuated shades of Hades to the lush paradise of the Islamic Jannah to the merger with the infinite anticipated by mystics....

Oct 26, 2020 The very first romantic kiss between men on American television happens in Marlon Riggs’s groundbreaking film Tongues Untied. That kiss is between two Black men, and one of them is Riggs himself. As of this writing, if you look up...

Aug 28, 2020 “Anyone with that kind of brilliance, you just give them space . . . She was a kind of unique, extraordinary, eccentric wild animal. And some jewels came out of her mouth.” Richard Gere On Halloween 1978, a month after...

Nov 6, 2017 “One of the disorientations of where we’re at—the obliterative sucking splotch of a present tense in which we now all live—is that it feels simultaneously like a malign mischance and like something we should have seen coming a mile off,”...

Jan 27, 2017 In a series of tautly constructed marriage dramas, filmmaker Asghar Farhadi has proven himself a remarkable observer of the social, moral, and personal dimensions that shape contemporary Iranian society.

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