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Nov 11, 2013 A boldly silent film in the talkie era, Charlie Chaplin’s masterpiece has a grace that has never been equaled.

Rotterdam 2018

The Daily

Jan 24, 2018 The forty-seventh edition of the International Film Festival Rotterdam opens today and runs through February 4. Over a month ago now, we started tracking the lineup, which the IFFR unveiled bit by bit every few days, culminating with the publication...

Apr 29, 2025 A gritty look at New York City’s underground economy through the eyes of an immigrant street hustler, Sean Baker’s third feature film demonstrates his gift for combining hardscrabble social realism and mischievous humor.

Apr 1, 2019 The artist, photographer, and filmmaker leaves behind one of the most varied and restless oeuvres in cinema.

May Books

The Daily

May 6, 2019 Greta Garbo, Anita Loos, Ernst Lubitsch, Ben Hecht, and Salka Viertel cross paths in this month’s round.

Aug 18, 2016 Beloved Hollywood veteran Arthur Hiller passed away yesterday at the age of ninety-two. In a career that spanned five decades and more than thirty films, he demonstrated remarkable versatility, with credits ranging from Neil Simon comedies (The Out-of-Towners, Plaza Suite)...

Apr 27, 2010 From left: Marlon Brando, Maureen Stapleton, Tennessee Williams, and producer Richard Shepherd, on the set of The Fugitive Kind. It was Jules Stein, head and founder of MCA, who plucked Richard Shepherd out of Stanford and made him into a real...

Aug 15, 2023 Wayne Wang is perhaps best known as a cinematic chameleon. Working both inside and outside of the Hollywood ecosystem, he has consistently demonstrated a restless curiosity about a wide range of cultures and filmic traditions. In addition to directing two...

Nov 25, 2020 “Yes, life is a dream, but sometimes that dream is a fatal abyss.” Wanda in The White Sheik (1952) I have a vivid memory from the first film-studies class I enrolled in, a class on Italian neorealism, where the weekly...

Oct 30, 2014 Tati’s witty visual comedy also functioned as satire of a rapidly modernizing postwar France.

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