The Criterion Collection
Oct 29, 2019 — Matewan opens in the pitch-black darkness of a West Virginia coal mine. A miner lights the carbide lamp on his helmet. The small open flame he wears provides the only flicker of light in this cramped space next to a...
Essays
Mar 18, 2013 — Using a 1958 murder spree as a narrative springboard, Terrence Malick fashioned a fractured fairy tale about American innocence lost.
The Daily
Feb 18, 2026 — One of the most versatile and committed actors in cinema, Duvall was also an accomplished writer and director.
Mar 9, 2015 — François Truffaut’s adultery drama is at times corrosively funny and at others frighteningly tense, but it’s always incisive and humane.
Jan 8, 2013 — 01 Because it’s the purest American road movie ever. 02 Because it’s like a drive-in movie directed by a French new wave director. 03 Because the only thing that can get between a boy and his car obsession is a...
Mar 3, 2025 — His range was astounding, and yet every performance was immediately recognizable as uniquely his.
Features
Sep 17, 2017 — Matteo Garrone’s gritty portrait of the Neapolitan Mafia draws on a lineage of Italian crime films dating back to Francesco Rosi’s trailblazing Salvatore Giuliano.
Mar 2, 2009 — If Dillinger is dead, who will take revenge? There were movies once that began, “Custer is dead,” in which you could reckon that a lot of Indians were going to pay the price. This bizarre film by Marco Ferreri (only...
Aug 23, 2022 — Sidney Poitier’s directorial debut, a western depicting Black cowboy heroes, allowed two of the industry’s most significant Black stars to reorient themselves as artists.