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The Normal Heart

First Look 2018

The Daily

Jan 5, 2018 For the seventh year running, the First Look festival at the Museum of the Moving Image in New York presents “formally inventive new works that seek to redefine the art form while engaging in a wide range of subjects and...

Dec 6, 2017 We’ve seen the features—all of them—and the lineups for the new Indie Episodic section as well as the Shorts and Special Events. Today, the Sundance Film Festival, whose 2018 edition runs from January 18 through 28, presents the lineup for...

Oct 28, 2017 We begin with a few translations. Asymptote lives up to its own billing as “the premier site for world literature in translation” with the presentation of Adam Kuplowsky’s renderings in English of some observational work by Yasujiro Ozu. “These three...

Aug 18, 2017 “The last time I saw Poison [1991] it shocked me,” Todd Haynes tells Rory O’Connor at the Film Stage, “and it demonstrated to me a different side of myself, of my history, of our history as a culture, as a...

Sep 23, 2015 Bruce Beresford draws on a controversial episode of Australian colonial history from 1901 to create an electrifying drama that questions the moral certitude of war.

Mar 17, 2014 Errol Morris’s documentary investigation into the life and theories of Stephen Hawking sets one man against the universe.

Feb 25, 2013 When an ethnographic filmmaker and a sociologist joined forces, they helped change the course of nonfiction cinema.

Oct 25, 2011 An Erle C. Kenton–directed Paramount feature based on the 1896 H. G. Wells novel The Island of Dr. Moreau, Island of Lost Souls (1932) is the story of a mad scientist’s attempts to convert wild animals into human beings by...

Jan 25, 2011  Sapphire: Inner City Given his strikingly eclectic body of work, it’s not surprising that Basil Dearden has never become a household name—he’s too hard to pin down. Moving effortlessly among comedies, melodramas, and thrillers, over a thirty-five-film, nearly thirty-year career,...

Apr 23, 2009 This interview, conducted by Michael Henry, first appeared in the May 1978 issue of Positif.

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