The Criterion Collection
Nov 25, 2016 — In his deeply personal third feature, Noah Baumbach charts a family’s dissolution against the backdrop of 1980s literary Brooklyn.
The Daily
Mar 18, 2022 — Ukrainian cinema, suspense vs. dread, and the opposite of synesthesia are on our minds this week.
Apr 13, 2018 — Soviet filmmaker Sergei Parajanov explored his Transcaucasian roots in this visually spectacular and wonderfully strange ode to the Armenian poet Sayat-Nova.
Essays
Jan 7, 2014 — Satyajit Ray was ailing when he made them, but these three works from the great filmmaker’s final years show an artist at the height of his powers.
Nov 20, 2012 — For a brief, shining moment, the genteel Japanese studio mutated into a fun house of grim ghouls and slimy aliens.
The Daily
Dec 6, 2017 — “There’s topical, there’s timely, and then there’s The Post, which feels less like a historical thriller set in 1971 than it does an exhilarating caricature of the year 2017,” begins David Ehrlich at IndieWire. “While Steven Spielberg’s latest film rivetingly...
Sep 29, 2003 — Fassbinder had long dreamed of a “German Hollywood film.” He sought not only success with the audience, but also professionalism. The auteur film in its purest form is an attempt to abolish the division of labor: the filmmaker represents in...
Essays
Apr 9, 2013 — This essay by novelist, playwright, and culture critic Gary Indiana originally appeared in the 1992 book Everything Is Permitted: The Making of “Naked Lunch.” Burroughs’s work tends to affect people like a Rorschach test. It separates cultural conservatives from avant-gardists,...
Essays
Mar 17, 2026 — In her first and only theatrical feature, director Lynne Littman presents an unbearably intimate vision of apocalypse, focusing on the effects of a nuclear blast on one suburban American family.
The Daily
Jun 5, 2024 — Film at Lincoln Center presents the first-ever New York retrospective dedicated to one of cinema’s most beguiling stars.