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The Last Time We Were Children

Apr 30, 2009 The concept of “obscenity” is tested when we dare to look at something that we desire to see but have forbidden ourselves to look at. When we feel that everything has been revealed, “obscenity” disappears and there is a certain...

Jul 14, 2026 One of the funniest and most affecting scenes in 1970s Hollywood cinema is also one of the most quietly radical—no small feat in a decade of movies marked by wiggy experimentation, explosions of brutal and cathartic violence, and shaggy new...

May 27, 2026 When Joachim Trier made his debut in 2006 with the film Reprise, I felt as if a veil had been lifted. There was nothing wrong with Norwegian cinema before Trier’s arrival, but it always seemed to be about someone else,...

Feb 20, 2026 Since the 1980s, Indigenous artists have turned to documentary filmmaking and a variety of experimental forms to reassert their cultural sovereignty and lay claim to their own narratives.

Aug 28, 2025 Made for public television, this moving vérité documentary about three terminally ill cancer patients is one of the purest expressions of the director’s career-long preoccupation with human fragility.

Jun 10, 2025 Sidney Lumet’s lavish adaptation of a Tony Award–winning stage musical combines an ecstatic appreciation of Black artistry with a celebration of freedom and perseverance.

Mar 8, 2022 A parable of wayward women in a world without mothers, Márta Mészáros’s 1975 feature catapulted the Hungarian auteur to international prominence.

January Books

The Daily

Jan 20, 2021 Knausgaard on Bergman and Adam Nayman on Armond White on Steven Spielberg are among this month’s highlights.

Sep 30, 2020 Martin Scorsese’s World Cinema Project No. 3 Pixote (1980), subtitled A lei do mais fraco (The Law of the Weakest), a hard-hitting tale of urban street children and their daily battle for survival in brutal conditions, was the Argentine-born Brazilian...

Aug 18, 2020 A sensuous exploration of amorous discontent and dreadful miscalculation, The Comfort of Strangers (1990) could be described as an erotic thriller, though it rarely is: its eroticism is too perverse, its pedigree too highbrow. Directed by Paul Schrader and based...

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