The House of the Angel

Apr 20, 2018 — Krzysztof Zanussi is currently in post-production on Ether, “a psychological drama with a Faust-inspired motive, set at the beginning of the 20th Century in Galicia, about a military doctor experimenting with science in order to get power over people,” reports...

Nov 27, 2008 — An enormous welter of insoluble problems is on display in Luis Buñuel’s classic—the ending solves nothing; the story just begins again.

Sep 29, 2003 — “Gray literature” is the term German film historians use to describe the material written purely for publicity purposes and made available to the press, but not meant for official publication. Often this gray literature, which is only accessible to film...

Apr 8, 2021 — The London-based, British Ghanaian artist and filmmaker Larry Achiampong explores race, class, and history in a multidisciplinary practice that, as described in the biography on his website, seeks to “examine his communal and personal heritage—in particular, the intersection between pop...

Nov 8, 2022 — In her first film that places a male character front and center, Jane Campion trains her unsparing gaze on the brutality of patriarchal power and the pain of repressed homoerotic desire.

Feb 25, 2021 — Channel Calendars Giddy up, movie lovers! This month on the Channel, our Black Westerns series leads the charge, highlighting films that have challenged the myths of the Old West to tell the stories of African Americans on the frontier. And...

Sep 27, 2016 — This monumental meditation on the Ten Commandments captures the spiritual undercurrents of life in late-Communist Poland.

Nov 14, 2012 — Jean Luc Godard’s exuberant, multipronged attack on the bourgeoisie is both theater of the absurd and political horror.

Sep 19, 2005 — Jane Campion is a rarity, not simply because she is a world-class female director, but because she has devoted her career to exploring female subjectivity.

Feb 19, 2025 — Gus Van Sant’s lyrical exploration of addiction and faith—adapted from an autobiographical novel by James Fogle—influenced cinematic drug depictions throughout the nineties and helped to initiate a wave of American independent filmmaking.