The Criterion Collection
Oct 12, 2010 — One Every movie is two stories: the one it tells and the one that remains to be told about it by those involved in its creation. These two narratives converge in a certain current of the cinema of the past...
Dec 9, 2002 — What makes Jean-Luc Godard’s classic so unique a viewing experience today, even more than in 1963, is the way it stimulates an audience’s intelligence as well as its senses.
Features
Sep 25, 2024 — At a time when women were understood to be the primary audience for movies, Hollywood studios built vehicles for actresses that doubled as showcases for the industry’s many brilliant female screenwriters.
On the Channel
Sep 29, 2021 — Celebrate the spooky month with our collection dedicated to cinema’s most legendary monsters and a series of chilling home-invasion thrillers.
Sep 13, 2018 — The imitation of nature becomes a devotional act in Terrence Malick’s cinema, which reaches sublime heights in this exploration of childhood, memory, and grief.
The Daily
Aug 2, 2024 — Along with the new Senses of Cinema, we’re reading interviews with Michael Roemer, Claire Denis, and M. Night Shyamalan.
May 8, 2020 — The opening and closing credits in a film are a form of housekeeping, fulfilling a legal obligation to compile the names of cast and crew who made the final product possible. Visionary designer Saul Bass saw the aesthetic potential in...
The Daily
Jul 1, 2019 — Truffaut, Melville, and Jean Epstein open this month’s round of reviews and discussions of the latest noteworthy publications.
Aug 8, 2017 — This underappreciated highlight of Michael Curtiz’s filmography grapples with postwar disillusionment and marital strife through the prism of a daylight noir.
Mar 13, 2013 — The slimiest movie monster of them all is part of—and perfects—a great tradition of unstoppable outer-space invaders.