The Criterion Collection
Sep 25, 2013 — Roberto Rossellini’s tale of modern sainthood demonstrates the importance of opening oneself to the wider world.
Apr 13, 2012 — Performances Fists in the Pocket, a gasp-inducing, mouth-frothing, black-comic attack on bourgeois values, is remembered first and foremost as a shocking debut from director Marco Bellocchio. But it gave its star, Lou Castel, a memorable entrance of his own: he...
Jul 19, 2010 — “It is the most erotic film that I have ever made,” wrote Michael Powell of Black Narcissus. “It is all done by suggestion, but eroticism is in every frame and image, from the beginning to the end.”
Mar 2, 2009 — If Dillinger is dead, who will take revenge? There were movies once that began, “Custer is dead,” in which you could reckon that a lot of Indians were going to pay the price. This bizarre film by Marco Ferreri (only...
Nov 27, 2008 — An enormous welter of insoluble problems is on display in Luis Buñuel’s classic—the ending solves nothing; the story just begins again.
Mar 27, 2006 — Louis Malle’s coming-of-age drama offers an unusually full and individualized characterization of a boy whose yearnings, sensitivities, and fantasies outstrip his personality.
Essays
Nov 23, 1999 — The occasion of the 100th anniversary of Alfred Hitchcock’s birth rewards us with a new release of one of his greatest films, The 39 Steps (1935). This DVD provides a newly restored transfer, new critical audio commentary on the film,...
Oct 28, 2025 — The first of Arturo Ripstein’s films to receive wider international acclaim, this blood-soaked, surrealist vision of amour fou harks back to the director’s roots as an admirer and protégé of Luis Buñuel.
Essays
Apr 30, 2024 — The gentle rapport between actors Lili Taylor and River Phoenix fuels this humane examination of American masculinity, a film that showcases the nuanced and compassionate approach of director Nancy Savoca.
Mar 13, 2024 — The subject of a revelatory retrospective at last year’s Morelia International Film Festival, this groundbreaking director ushered in Mexican cinema’s golden age with vibrant explorations of the nation’s folk traditions and revolutionary past.