The Criterion Collection
Essays
Jan 13, 1992 — Few films have had as exalted, or as tumultuous, a history as The Devil and Daniel Webster. Directed and produced by William Dieterle at RKO after his triumphant Hunchback of Notre Dame, The Devil and Daniel Webster is the finest...
The Daily
Nov 12, 2024 — Innovative metafictions and fresh readings of classic novels arrive along with books on Robert Kramer, Terrence Malick, and Nora Ephron.
The Daily
May 28, 2024 — With just a few exceptions, critics are generally pleased with this year’s awards.
The Daily
Apr 11, 2024 — Anticipation builds for new work from Jia Zhangke, Francis Ford Coppola, Andrea Arnold, and David Cronenberg.
Jun 8, 2018 — Both Italian directors broke from neorealism to head off in entirely different directions.
Feb 20, 2017 — Joan Crawford delivers one of her greatest performances in Michael Curtiz’s unsparing look at class, ambition, and the all-consuming intensity of maternal love.
Essays
Nov 22, 2016 — The result of a notoriously troubled production, Marlon Brando’s unorthodox western presents a brooding vision of human futility.
Short Takes
Sep 13, 2012 — Horror fans might assume that director Sam Raimi’s Evil Dead movies wrote the book on cursed bibles of the damned. But years earlier, in 1967, The Equinox . . . A Journey into the Supernatural, one of the films in this week’s...
Essays
Sep 18, 2006 — Nobuo Nakagawa’s legendary, genre-busting Japanese masterpiece explores the infernal desires that tempt us during our mortal existence—and the afterlife agonies awaiting those who succumb.
Essays
Feb 20, 2011 — Melodrama has a bad reputation because it has been abandoned to schematic and conventional interpretation. —Luchino ViscontiSenso, Luchino Visconti’s extraordinarily lush 1954 movie, was never truly released in America. Even though an American star, Farley Granger, and a European star,...