The Consequences of Love

Dec 12, 2017 — Alexander Payne skewers the absurdities of American politics in this tale of a high-school presidential campaign gone ugly.

Dec 6, 2017 — “There’s topical, there’s timely, and then there’s The Post, which feels less like a historical thriller set in 1971 than it does an exhilarating caricature of the year 2017,” begins David Ehrlich at IndieWire. “While Steven Spielberg’s latest film rivetingly...

Nov 29, 2017 — The Sundance Film Festival, whose 2018 edition will run from January 18 through 28, has announced the lineups for its U.S. Dramatic and Documentary Competitions, World Cinema Dramatic and Documentary Competitions, and its Next, Spotlight, Premieres, Documentary Premieres, Midnight, and...

Nov 15, 2016 — Akira Kurosawa lays bare his deepest fears in this visually astonishing interpretation of folklore, myth, and the director’s own dreams and memories.

Nov 12, 2015 — Michael Haneke’s politically prescient drama explores the tenuous, uneasy connections between inhabitants of a globally interwoven Europe.

Sep 24, 2013 — Marketed as a movie of volcanic passion, Roberto Rossellini’s first film with Ingrid Bergman is rather a pragmatic take on the negotiations of matrimony.

May 20, 2010 — Driven to Destruction Nagisa Oshima was a destructive force in Japanese cinema—and he wouldn’t have had it any other way. Intent on exploding taboos and jabbing the eye of the status quo, he created films that leave us with a...

Jan 22, 2007 — A delightfully old-fashioned morality tale, Robert Day’s low-budget space flick is far more than the standard monster fare it was initially sold as.

Apr 25, 2005 — Andrzej Wajda’s first feature film marks the beginning of the Polish School, the paradigm of Polish cinema that arose from the political and cultural thaw of the mid-1950s.

Feb 12, 2021 — In an interview with bell hooks published in 1996, Camille Billops responded to a question about the transgressive candor of her films by saying “It is probably exhibitionism on my part [. . .] some people say our films have...