The Criterion Collection
Essays
Feb 11, 2020 — The universal success of Alfonso Cuarón’s Roma is undoubtedly due to a skill that the director has demonstrated over the course of several decades and many enduring pieces of work. But it is also a sign of our times. What...
The Daily
Jan 31, 2018 — The SXSW Film Festival, whose 2018 edition runs from March 9 through 18, has announced a lineup of 132 features—with more on the way. With descriptions from the festival . . . Narrative Feature CompetitionFamily. Director/Screenwriter: Laura Steinel. When an...
Aug 22, 2017 — French cinema titan Sacha Guitry brings a savage misanthropy to this exploration of a toxic marriage and the arbitrariness of the legal system.
Oct 9, 2015 — Guy Maddin and his filmmaking partner Evan Johnson dropped by the Criterion kitchen to talk about their new film, The Forbidden Room.
Mar 9, 2021 — “Oral tradition is a tradition of images. What is said is stronger than what is written; the word addresses itself to the imagination, not the ear. Imagination creates the image and the image creates cinema, so we are in direct...
The Daily
Nov 27, 2024 — The week offers evasive icons, an archive to rummage through, and a great but overlooked critic.
Nov 16, 2021 — Starting with his first movie, in 1949, the Cantonese folk hero became a pop-culture phenomenon whose personality evolved to suit the times.
Essays
Sep 24, 2013 — Marketed as a movie of volcanic passion, Roberto Rossellini’s first film with Ingrid Bergman is rather a pragmatic take on the negotiations of matrimony.
Mar 10, 2020 — In the fall of 1966, an unusual proposal reached the desk of Melbourne I. Feltman, vice president of Consolidated Book Publishers in Chicago. In a letter dated October 24, sent from the Maysles Films office in Midtown Manhattan, David Maysles...
The Daily
Dec 19, 2019 — Lists (of course), but also philosophical surveys, biographies, and coffee table books are featured in this month’s round.