The Criterion Collection
May 26, 2026 — Women’s hands dance over typewriter keys. The percussive racket they make, like the tapping of an unruly chorus line, takes the place of music during the opening credits of The Office Wife (1930), which appear over a montage of female...
The Daily
May 19, 2021 — The actor, writer, and talk show regular will be remembered as an “uncommonly intense and all-around uncommon performer.”
Jun 24, 2015 — PerformancesThe late character actor Michael Jeter had a profound effect on me as a child, but as with so many things, I didn’t realize it until I was an adult. Twenty-five years ago this month, I saw my first Tony...
Essays
Jul 9, 2001 — Director Bruce Robinson reminisces about the days that inspired his uproarious black comedy.
Sep 24, 2019 — Bill Forsyth is Scotland’s most famous filmmaker, and Local Hero (1983) is his most famous film—for many, the true subject of Local Hero’s title is the Glasgow-born writer-director himself. The enduring affection and adulation for Local Hero stem from the...
Feb 19, 2013 — Elia Kazan’s masterwork is a vivid, tough look at a time and place, and a transcendent human drama.
The Daily
Nov 9, 2022 — New York’s Metrograph presents films by Park Chan-wook, Bi Gan, Ang Lee, Johnnie To, and Michael Mann.
Jun 27, 2005 — Ko Nakahira’s Nikkatsu Studio youth flick helped transform postwar Japanese cinema.
Essays
Feb 20, 2011 — Melodrama has a bad reputation because it has been abandoned to schematic and conventional interpretation. —Luchino ViscontiSenso, Luchino Visconti’s extraordinarily lush 1954 movie, was never truly released in America. Even though an American star, Farley Granger, and a European star,...
Essays
Jun 3, 2002 — Ronald Neame’s character study examines a talented, eccentric artist, who is also difficult, conniving, uncouth, and thoroughly disreputable.