The Criterion Collection
Sep 25, 2013 — Roberto Rossellini’s tale of modern sainthood demonstrates the importance of opening oneself to the wider world.
Apr 14, 2011 — Performances Roberto Rossellini is not often discussed as a director of actors, and Vittorio De Sica is remembered less as a performer than as a filmmaker. Il generale della Rovere, Rossellini’s searing World War II morality drama from 1959 featuring...
Aug 14, 2006 — “Some people think rohmer is in league with the devil,” wrote cinematographer Nestor Almendros in his book of autobiographical reflections on the cinema, A Man with a Camera. He was describing his working experience on My Night at Maud’s (1969)....
Aug 22, 2005 — This delicate, fascinating film is self-consciously, almost militantly, naive, and it remains something of an anomaly in Roberto Rossellini’s body of work.
Short Takes
Aug 28, 2015 — Check out this video tribute to a matchless screen icon that Jonathan Keogh made for us —this weekend marks Ingrid Bergman’s centennial. Here’s lookin’ at you, kid.
Features
Dec 3, 2020 — First Person A dedicated movie buff from my teenage years onward, and an assiduous if not pedantic completist forever seeking out obscure backlist items by favorite auteurs, such as that rare screening of George Cukor’s The Model and the Marriage...
Essays
Apr 27, 2016 — In Phoenix, Christian Petzold sets his nuanced melodrama of postwar German-Jewish identity within a starkly realist aesthetic, making newly fascinating use of his enduring interest in the tensions between the real and the artificial.